growth

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Tuesday, January 12, 2016 in , , , , ,

Another Silly Boy Blue (or The Death of David Bowie) - a tribute to living without fear

Another Silly Boy Blue (or the Death of David Bowie) a tribute to living fearlessly

There has been a ripple in collective consciousness with the passing of David Bowie this week, and this morning I felt the urge to take to my keyboard to try and capture some of what is pulsing through so many people.  I only write poetry occasionally but when I do I'm caught up in an insistent need to funnel a feeling into words.  Today was no different.  The opening phrases dance around in my head insistently, hinting at more to come.  I have learned not to ignore it because those words don't come back - it's a specific function of time, receptivity, and stimulus and it's then or never.  
 
As a college art student there were many discussions had about the role of the artist and art in society.  We pondered its purpose and effects.  Often it provokes, challenges, creates connection, and causes us to emote.  Sometimes it broaches a whole new idea.  Bowie did all those things, and his life itself was clearly a work of art.  My response is to create something in return.

For my own profession in natural and holistic beauty I do a lot of talking about living authentically and loving oneself radically and completely.  This is no small task.  The world is always full of messages that we should doubt ourselves.  I can't help feeling, though, that David Bowie had mastery in these practices.  The fact that he was able to live such a brazenly shameless life defying social norms and coloring outside the lines is a testament to his self assurance.  He knew what it means to be really free.   

Freedom is not to be confused with selfishness or myopia.  I've seen some Bowie quotes where he describes that his creative process is strongest when he is selfish and does what he wants rather than second guessing what the audience might want.  Some artists do have issues with being myopic or only self referential, but you can look inward and be tuned into others at the same time.  In fact the most pure life and creative direction I've ever gotten has come from that insistent voice inside myself.  The second guessing is just nagging doubt or a lack of steadiness.  When you have a creative vision, or are even just living your life as a regular person that doubt can interfere like radio static with you being tuned into your purpose.  

The magic and freedom and that people are ascribing to David Bowie is really something that belongs to us all.  We just forget it for a lot of reasons.  Some secrets of life aren't complicated.  Remember to be you, have confidence, show the world what you've got...  All basic, but they get murky amid the chaos of life sometimes.  Other people's insecurities can do a fantastic job of casting shadow on the rest of us, which is a real shame.  Bowie did a fantastic job of reminding us of our true formless, rainbow, space-cadet, unique nature by simply being himself.  His freedom empowered us all.

I wish I could say that I don't experience doubt, or that I don't ever dim my light for the sake of trying to get along or not make waves, but unfortunately that would be untrue.  I absolutely let doubt get the better of me and occasionally still minimize myself.  That has got to stop.  It's important for my work and more importantly for the fact that I have this one chance to be free.  I want to live it with the brightness knob turned up all the way.  So from now on anytime I start to worry too much about what other people will think or feel myself tamping down on my spirit of provocative play inside I'm going to remember Bowie and if I'm authentically feeling something I'm going to go for it.  My inner guides will steer my ship, not other people's hangups.  That's a promise.

This poem is not historical, obviously.  Half the work is purely imaginative.  But I'd like to think that with all the characters that Bowie created he might not mind another riff on his theme.  In fact I hit closer to the mark than I even knew when the idea happened upon me, as I saw this article on how David Bowie nearly committed himself to becoming a Buddhist monk only just this afternoon.  Previously I had never heard of that happening in his life, so it's extra interesting to me that the following is the way I felt and portrayed his character. 

Another Silly Boy Blue
by Julie Longyear

She had spent several lifetimes already
Living alone at high altitude
Amid the stark quiet
And unyielding surfaces
That marked geologic time
Instead of the soft, bruising years of flesh.
It was alright really.

She spoke mostly to herself,
Enjoying the way she could echo
Into the recesses of her rocky home
Or tell inside jokes to the wind
And know the eagles nearby would giggle
From their perch on a nearby peak.
Visitors were rare,
As might be expected.
Living at 16,000 feet is not exactly

Like laying out a Welcome mat.
Every day she watched the sky paint itself,
Playing shamelessly with every color.
The hotshot heavens and the spunky feathers
of rollicking flocks of airborne friends
Pressed themselves like paint
Into her insides, which she had emptied out
With generations of meditation.
And at the end of that life she found
That she was brim-full of fantastic visions
And the quiet had taught her
A hundred songs that no one else knew
Yet.
She longed to hear them sung by
A thousand voices that never knew
They could sing together so well,
A spontaneous choir spread across time and space.
Besides, living in caves had become trite
And people had become busy
With so many cacophonous distractions down below
That they weren't listening to the wind
Or looking at the sky like they used to
When their ancestors foretold more than just
The Weather from the clouds and stars.
So as she drew her last breath she bade

Goodbye to the crystal-built rocks,
The shiver-crisp air,
And solitude.

It was time to go back to Earth.

Not long was spent inbetween
Moving directly like current in wire
Spirit infused its sparkled-song-electron-attraction,
Meeting flesh in the warm dark of wombly dreams
And when he awoke the Inter-Body Express
Had erased most of what had come before.
(it's part of the price of the ticket)
And he found he wore
An unremarkable name
That cloaked him to walk amongst those
Who had never had eagles for friends.
He had forgotten words
And the doings of previous days,
But he found that he was so full
Of colors doing sunset dances behind his eyes
That he longed to show them
On his skin.
And the songs that had sprung up
From the barren rocks and air
Like tenacious flowers still clung
Around him like his pores
Oozed unrelenting perfume.
But people no longer sat around fires
To tell stories and sing.
Instead they gathered around boxes
To broadcast sound and light.
And the stars they knew
Were no longer in the sky.
Even in his time-travel amnesia the guru knew
There were many things to do.

He painted his face and wrote poems,
Which really all gurus riddle and rhyme
Because it's against the rules to just
Hand out the answers.
And his songs spun themselves, shimmering
From his lips, throat, and chest
Entwined with secrets of being
And smacking of the strangeness
That living alone in open spaces 
Tends to impart.
And when those more earthbound
Would see him
They felt suddenly, uncommonly free,
Intoxicated by the peculiar lightning bolt brother
That electrified their cells with epicine energy
And caused them to erupt into
Sudden colored-cloud, secret-joke joy.
He lured them to lessons
Where dancing their own way
Was the master class
And the only way to fail was to
Follow someone else.
And he shined up his plain name
With a plucky new one
And then took a few more names besides
Because just one wasn't enough
To fit the whole of himself into
Alongside every he and she that had come before.

It's not easy to teach
How the light of the stars isn't steady
And is made of ever-burning cataclysmic pulses
And that even subatomic particles
Prance with one another
To music we are too distracted to hear.
But for those that were listening
He sang and woke sleeping cells in their bones
That still remembered being space rocks.
It wasn't equations
It was strange experience
Infused from soul to soul
And carried as if by solar wind,
Circuits overloaded with sudden brightness
And a deep, discerning sense of self.

Prophets don't preach 
Like they used to and you know
That anyone too loud about themselves
Has something to hide.
And so when he knew
That his song and dance was ending
He orchestrated it with quiet determination.
One last lesson
On how to live
And how to die.
This time instead of leaving for one life
His soul sent transmissions
Outward like a noble supernova
Planting spark-bright seeds
and shining his prism-split colors
Wherever they landed,

Like breath for hungry lungs,
Leading us to live fearlessly
And authentically
As ourselves.
  



Wednesday, January 2, 2013 in , , , , , , ,

The Un-Resolution way to make Meaningful Changes

It's the day after New Year's Day, or, as I'm going to be thinking of it "Un-New-Year's-Day."
That's kind of like an Un-Birthday for those who know how Mad Hatters and March Hares operate.  There's a heck of a lot more Un-New-Year's-Days than there are New Year's Days but somehow we feel obliged to fit all our celebration and renewal into one solitary day.  Maybe you have to be mad to see the abundance of other days on which you could be evolving.  If so I'm quite possibly completely bonkers.  Just bonkers enough to think maybe you'd like to join me on this journey... 

Change is an ongoing process, and resolutions made because of an arbitrary date are, in my opinion, more of a psychological "out" and a way to make ourselves feel like we are addressing change rather than fuel for real, substantial evolution. Change is a constant process and should be embraced each day.   Just like an Un-Birthday you can have your Un-New-Year's-Day anytime.
If you only resolve once per year to get "better" that is perhaps only a few dozen changes you may make in your life, only some of which will actually stick. If you approach change (and really change is growth) as a daily pursuit not only are your changes more likely to stick but the progress that can be made is virtually infinite. The very practice of embracing challenges and new thinking each day prepares you to be successful at it each time you make a change in the future. You can be fluid instead of stagnant, a master changer, and greeting your full potential openly. 


If enlightenment is possible in a single lifetime then that is a big, but achievable mountain to climb.  Just think of the constant path you'll need to get there.  You certainly won't ever arrive at the summit by putting the climb off until tomorrow.

Come to your life with beginner's mind each day. Pick a corner and start nibbling away at the big things you want. Instead of making a resolution say "I'll just do this new thing for today."


Allowing yourself to experiment and practice a new behavior once or twice may make it less scary than resolving and "failing". Then the next time you just do it for a day it feels fulfilling instead of guilty and is associated in your mind with success instead of failure. 

You can find the things that nourish you by experimenting and experimenting again, gradually incorporating the things that work and eliminating the things that don't. 

Go completely mad with me. Let's be crazy!  Live in the now and let's Un-Resolve together.  Don't wait another whole year to embrace your desires.  After all it's Un-New-Year's-Day today and for the next 364 days.  That means it's time to celebrate some change, and you might as well celebrate it because some is on the way.  Love your now, but be ready to be better.

Now is all you have. Be Present Now.


Friday, December 14, 2007 in , , , , , , , , ,

Getting it Done - a brief guide to how I get creative now instead of later


Being creative is like a hurricane. Sometimes the hurricane is on the outside and sometimes it is on the inside. When it is on the outside your materials are flying and you are in physical action, possessed by the thought of "getting it done". But to get to this stage you have to channel your energy from the inside, and your inner self may not be so easily disciplined.

I spend a lot of time with my inner hurricane. This might look like doing nothing, but I am actually hard at work processing ideas and working them out. At least half of my creative time is with this inner world. And yes, even I have trouble just getting started on things sometimes. But the key is, well, just do it! Even it if is hard, or slow, or a little rocky. That beginning is the hardest part but the most necessary. I've found that when a creative urge isn't channeled it either disappears forever or turns into confusion and frustration.

People often think it is a dream to be their own boss. Well, sometimes it is not so dreamy - it is downright hard. Self discipline, critical thinking and problem solving, and the ability to take action when needed are all incredibly important traits. Not everyone has these traits, or is ready to use them if they do. With noone to tell me what to do every day I could easily just stay in bed. (Alright, so I have a 3 1/2 year old so I couldn't actually stay in bed, but I could certainly be a lot more lazy.) With no boss and no set schedule many people can lose their direction. I am frequently asked how I do everything I do. My first (and true) answer is: Sleep deprivation! But there is a lot more to it.

1. Brains need feeding!
In order to maintain a creative flow I find I need to spend time doing a lot of different things. Doing one thing too much stagnates your energy, and ideas need fresh input. I am voracious about consuming information, images, sounds, and input - everything I can expose myself to that will spark ideas. Alternating exposure with quiet time is important to being able to process all that new material. I try to choose quality sources of information. After all, junk in equals junk out. Um, I hope this doesn't rock anyone's world, but tabloids may not be the best reading material if you are hoping to achieve brilliance. Surrounding oneself with quality people and quality work will spur you on to do more and better things yourself. Open yourself up to even things that will shock you initially. Getting out of your own head and into someone else's can be a great thing to prompt new thinking.

2. Lack of experience is not an excuse.
I taught ceramics for several years and it was always fun to see new students begin to throw their first pots on the wheel. Like many other activities it looks so easy when done by someone experienced...but then - whoops! Their lump of clay would be flying of the wheel and onto the floor. Not so easy if you don't have skills with the materials.

Everyone starts at nothing, so failing initially is just part of the process. I've had some pretty fantastic failures in my career, in fact I'm pretty sure I learn best when I screw up. When making my first few batches of soap I did OK on the first one or 2, but I think it was the third that really got me. The lye and water didn't get mixed properly and when I added it to the oils everything just curdled and turned into this lumpy mess that looked like pink, oily, cottage cheese. Yum! That batch went straight into the trash can. And that is just one on the list of sculptures that exploded, shirts that didn't fit, and facial creams that wouldn't stay mixed. In fact, I'm happy to say that I truly believe that if you aren't failing at your endeavors a significant percentage of the time then you are really not pushing the envelope at all. Growth requires some screwing up, and am I ever good at screwing up!

If you can ignore your outcome, you'll go far - at least as far as learning is concerned. While you can't disregard your product indefinitely, practicing with an open mind allows you to become familiar with materials, and familiar with yourself. No goal other than practice is even really necessary. Everyone starts somewhere, and you can't get anywhere if you never start. Experimentation and knowledge of your materials will go a long way to help you know which of your ideas is possible, and which is not.

Everyone practices in a different way. I've often heard it said that writers are supposed to sit down and write every single day, even if they think they don't have any ideas. I was forced to keep a sketchbook in art school - something I honestly never really liked doing. I understand the purpose, but it just wasn't my thing. I like to draw, and actually have several sketchbooks but I tend to draw with purpose rather than just for the sake of drawing. I do much better when I am "sketching" with my actual materials. This, I think, is fine too. Anything that keeps you active is good. The idea is to make creative observation and activity part of your everyday life. So this step and your brain food actually are intertwined.

3. Don't think about it too much.
Now you're saying, "What?? She just said to think about it a lot!" Well, the other side to this is that you can't overthink your project or you'll end up psyching yourself out. Thinking too much can make things seem bigger than they really are. I know there are plenty of people out there that just can't get started on something because it seems like too much to handle. Turn off those voices in your head. They are just plain evil, and they will prevent you from doing amazing things.

4. Eat your Fear for breakfast.
We all need to squash whatever is stopping us from going after our dreams, and quickly. The start of every day is the perfect time. Decide what brave, adventuresome thing you want to do and then find some way to start working on it.
Usually when I am afraid of something I find that the reason I'm afraid is because I'm inexperienced, or not knowledgeable in that field or activity. So I take that and flip it around to action. If I'm afraid, that is when I know I need to dive right in! I don't want to be afraid of anything in my life.

There is a big difference between fear, and logically deciding something is not a good idea. I am usually afraid of meeting new people (suprise!) and yet I know for sure this is a good idea. I have the same insecurities as everyone else about how I am perceived, and get terribly nervous about public appearances or sales engagements at trade shows. I am lucky that I get to work with a population in the Natural Products community that is unusually friendly, welcoming, and warm. And I still get afraid! I would never be cut out for "The Apprentice" or any normal business environment - I'd be eaten alive and I know it. I am certainly not your average businessperson. But I make myself get out there and try. I remind myself that I can't run a business in a vacuum, and that gee, people might actually like me. (I'm good enough, I'm smart enough, and, gosh darnit, people like me!) Not everyone will, but some. I've found through working on my anxieties I've gotten much better at presenting. I just try to play up my strength - my passion for my materials and products!

I use this same "get over it" attitude with my creative endeavors. Just running my business and being responsible for other people's well being is a pretty scary thing - after all, if I tank they go down with me. But if I do nothing we'll tank for sure. Don't let yourself fear action.

5. The "just one more thing" mentality
I frequently tell people that if I had known just how hard it was going to be to start my own business I am pretty sure I might not have done it. In this case, ignorance may have been my best asset. I was too inexperienced to know the thrashing I was in for. Fortunately I've got a head full of rocks and noone is going to tell me I'm going to fail if I decide otherwise. Stubborn or stupid? Maybe a little of both...

It is a big job to launch an idea. So big that it can seem pretty intimidating. My personal method for attacking big projects is an alternative to the "baby steps" method. First I find little ways to get started. If you have been practicing and working regularly on your creative activities then finding something little to do shouldn't seem too hard. One of my rituals before a big sewing project was to clean up everything in my sewing area that related to previous projects. It seems like procrastination, but really it is an integral part of my process. I can't think about a new project with remnants of the old still sitting there. Then I'd pull out all the materials for the new project. Often this would be all I would do on the first day, just set the stage. Then when I returned the next day I was mentally and environmentally prepared to jump in, and it seemed that much easier.

Once started I look for pieces of the project that I know I can do. Then I can tell myself confidently, "Well, at least I can do that!". Then when I'm done with that piece the voice in me says, "That wasn't so bad. Maybe I could just do one more thing..."
I continue to say that after every little step I finish. Before I know it the project is half done, and by then I'm excited about it! It seems to be a great way to trick myself into getting something done, even when I may have initially been dragging my feet. It seems a lot easier to think about doing just "one more thing" for another 20 minutes than to think about working for another 8 hours.
*Caution - this method works so well, in fact, that you may end up working straight through important events, your dinnertime, and losing a good bit of sleep because you've stayed up 4 hours past your bedtime without even realizing it. If you miss your child's graduation or husband's award dinner because you said "just one more thing" to yourself a few too many times I'm officially not responsible. Use wisely!*So this is pretty much how things work for me. Let's review, and take heart, dear reader, in knowing that:
- I'm scared sometimes.

- It's hard for everyone, not just you.
- I screw up a lot. (no really, a LOT)

And somehow I still have managed to get up every day and work towards keeping my dreams alive. Nearly 5 years in on running Blissoma and while the finances could be prettier I'm pretty pleased with the rest of our progress...Quite frankly I don't know what else I'd be doing.


Now, go do something great!




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